The Best & Worst Of 2017 – Motion Picture Maniac

The Best & Worst Of 2017 – Motion Picture Maniac

A Blog Motion Picture Maniac Year In Review

Remember when the disappointment that was 2016 ended and we all toasted to 2017 hopefully proving to be better? Didn’t exactly meet expectations did it? Last year many of our favourite celebrities passed away, this year many of those left have turned out to be sex offenders – go team. But anyway, just like last year I’ve had to stretch my film lists out from top 10’s to top 20’s, which could be seen as a good thing, an indication that there were enough good films to warrant a longer list but then, you remember, the same goes for the bad list.

What can I say; this year was long and depressing, the year before it was long and depressing and, realistically, the next year will probably be long and depressing also; happy days! So here we go, the best films of the year and… the other list, along with some other fun considerations because why not? Of course there were some well-regarded films I was unable to see like Call Me By Your Name and Brigsby Bear and I do hate that I missed them but hey, what can I do?

 

Best Films Of 2017

  1. Dunkirk – (Film of the year, a perfectly shot single feature length action sequence rife with lethal intensity, brutal sound design and gargantuan production value; all of which transpire to do justice to real life heroes)
  2. Blade Runner 2049
  3. Wind River
  4. A Ghost Story
  5. Wonder Woman
  6. Loving Vincent
  7. Thor: Ragnarok
  8. Song To Song
  9. War For The Planet Of The Apes
  10. Mother
  11. American Made
  12. It Comes At Night
  13. Lego Batman
  14. John Wick Chapter 2
  15. Logan
  16. Battle Of The Sexes
  17. Star Wars: The Last Jedi
  18. It
  19. The Disaster Artist
  20. Atomic Blonde

 

Honourable Mentions

The Beguiled

The Killing of a sacred deer

Detroit

Double date

Only the brave

T2 Trainspotting

Okja

Get Out

Baby driver

Spiderman homecoming

 

Special Sympathy Mention:

Justice League

 

Worst Films Of 2017

  1. The Shack – (Worst film of the year, one of the most morally bankrupt, self satisfied, arrogant and offensive pieces of propaganda garbage I have ever seen in my life, it’s not just bad, it’s hurtful and dangerous)
  2. The Bye-Bye Man
  3. Diary Of A Wimpy Kid: The Long Haul
  4. Unforgettable
  5. Everything, Everything
  6. Girl’s Trip
  7. The Snowman
  8. Flatliners
  9. The Zookeeper’s Wife
  10. The Sense Of An Ending
  11. Hampstead
  12. Unlocked
  13. The Emoji Movie
  14. The House
  15. Daddy’s Home 2
  16. CHiPS
  17. Bitter Harvest
  18. Overdrive
  19. Transformers: The Last Knight
  20. Fifty Shades Darker

 

Dis-Honourable Mentions

Geostorm

The Star

A Bad Mom’s Christmas

The Space Between Us

Wish Upon

Fist Fight

Table 19

The Book Of Henry

Snatched

Rings

 

 

15 Favourite Action Sequences

Pretty much everything in “The Air” – Dunkirk

Silo Hostage Rescue And Subsequent Battle – Justice League

No Man’s Land – Wonder Woman

Bifrost Bridge Battle – Thor: Ragnarok

Stairwell Fight – Atomic Blonde

Helicopter Swatting – Kong: Skull Island

Hocus Pocus – Baby Driver

The Battle Of Crate – Star Wars: The Last Jedi

Drill Sight Massacre – Wind River

Art Gallery Shootout – John Wick Chapter 2

Aero Baby Rescue – Fate Of The Furious

Throne Room Slaughter – Star Wars: The Last Jedi

Steppenwolf In Themyscira – Justice League

K VS Luv – Blade Runner 2049

Opening Sequence – John Wick Chapter 2

 

 

Favourite Villainous Performances

Adam Driver as Kylo Ren – Star Wars: The Last Jedi

Ciaran Hinds as Steppenwolf – Justice League

Jamie Foxx as Bats – Baby Driver

Jeff Goldblum as The Grandmaster – Thor: Ragnarok

Bill Skarsgard as Pennywise The Dancing Clown – It

Sylvia Hoeks as Luv – Blade Runner 2049

Will Poulter as Krauss – Detroit

Woody Harrelson as The Colonel – War For The Planet Of The Apes

Ruby Rose as Ares – John Wick Chapter 2

Robert Carlyle as Francis Begbie – T2 Trainspotting

 

 

Best On-Screen Couples (Romantic, Bromantic Or Otherwise)

David and Walter – Alien: Covenant

Thor and… his Hammer – Thor: Ragnarok

K and Joi – Blade Runner 2049

Hobbs and Deckard – Fate Of The Furious

Billie-Jean and Marilyn – Battle Of The Sexes

Greg and Tommy – The Disaster Artist

Rocket and Baby Groot – Guardians Of The Galaxy Vol. 2

Wolverine and X23 – Logan

Batman and Superman – Justice League

Bryce and Kincaid – The Hitman’s Bodyguard

 

 

Special Awards

Best Opening Credit Sequence: Guardians Of The Galaxy Vol. 2

Best Use Of Music In Correlation To The Visuals: Blade Runner 2049 – “Sea Wall”

Pottymouth Of The Year: Robert Carlyle – T2 Trainspotting

Most Interesting Style: TIE – Loving Vincent/A Ghost Story

Best SFX: War For The Planet Of The Apes

Most Immersive Camera Movements: Justice League

Funniest Line (Intentional): “I’m gonna knock your teeth so far down your throat you’re gonna stick a toothbrush right up your ass to brush em” – Fate Of The Furious

Funniest Line (Unintentional): “Blow into the hole gently, I’ll do the fingering” – Alien: Covenant

Captain Obvious Award: Josh Duhamel, Transformers: The Last Knight – “Look, it’s a big alien ship”

Guilty Pleasure Of The Year: TIE – xXx: Return Of Xander Cage/Resident Evil: The Final Chapter

Notable Face-Palm Of The Year: Fakest Sneeze Of All Time – The Bye-Bye Man

Done and dusted, recalling and sifting through the stuff I liked about the year was great fun, doing the same for what I didn’t like bloody hurt. Oh I wonder what the next year will hold, not just regarding the movies but the politics, the sociology, the very backbone of public opinion… who am I kidding, it’s gonna suck, it’ll all suck and we should probably all just save time by taking turns gleefully leaping into a giant deadly shit hole to boil and desolve to death.

 

Happy New Year.

Motion Picture Maniac 

Rings – Motion Picture Maniac

Rings – Motion Picture Maniac

A Blog Motion Picture Maniac

“WHY… WON’T… THIS… DEAD… HORSE… GET… UP?”

I imagine these words flying from the mouth of a studio executive with booming rage as he tries his very best to justify another Ring film despite interest in the franchise dwindling quicker than flesh in a furnace, which probably started around the time a car got itself ravaged by the worst CGI deers in the history of computer graphics in The Ring Two. You would think that someone in this industry would realise that such desperate revivals are more in line to fail than succeed, indeed because of how desperate they really are, desperate to make excuses for their existence to be more precise.

I’m sorry to say that Rings is very much like that, a dead horse being flogged so relentlessly they may not have to bury or burn the remains after all, as soon there will be nothing left. The story follows some idiot young people who always just have to watch that damn video despite all the warnings in the world telling them to turn back now, oh no, wait, it’s not just a VHS tape anymore is it, remember the times they are a’changin’ and now Samara’s notorious tape exists in the form of a quick time file, and some idiot kids just have to watch it don’t they?

Seriously though, this girl’s boyfriend goes off to college and watches the video, she travels down to his location to find out what’s going on, ends up watching the video herself and must then set out on a mystery tour to learn the truths that went unnoticed in the previous Ring movies. This is not a necessarily badly made film on a technical level, the cinematography clearly had effort put into it and the presence of Samara was handled alright I guess, despite the CGI not being quite as good as maybe it should have been, but it’s ok to look at and moments of creepiness clearly indicate that the director wanted this thing to work.

However, the problem is that the whole thing is as boring as a dead slug painted grey and perched on top of a gravestone, it just went on and on and on and on, stopping every now and again so the lead character can have a scary hallucination because the writers didn’t know what needs to happen next. The opening scene on the plane is an honest indicator of two things, the acting is unbelievable, some are better than others but for the most part, no, I don’t think anyone on screen was convincing in the slightest, oh they try, but it jut doesn’t work. The second is that the dialogue is horrendous, like exposition intended for a 5 year old who really needs to sit down, shut up and pay attention because this is important.

It’s not scary, it’s not creepy, it’s not intense, it’s boring, dull and never seems to end, and speaking of the ending, oh cripes, stupid, stupid, stupid, stupid, makes no sense, has absolutely no reason to be like that and goes against much of what the film had already established, why does it happen? I have no idea, not the slightest clue. Almost worth watching just so you can see for yourself, almost, at least if it wasn’t so boring and generic and barely interested in itself beyond some ok cinematography and potentially interesting ideas, it does nothing to justify a continuation of this franchise and barely knows what to do with itself half the time, this whole thing needs to be thrown down a well where it belongs.