Phil’s Quick Review’s 100 Best Films… #100-76

Phil’s Quick Review’s 100 Best Films… #100-76

A Blog

Part one of our run down of Phil’s Quick Review’s 100 Best Films as chosen by a select team of hosts, podcasters, fans and writers from Ross And Phil Talk Movies, The Smoking Lamb Podcast, Filmsploitation and the Phil’s Quick Review Facebook group.

Check back tomorrow for Part 2!

So here’s numbers 100 – 76…

 

 


Follow us on Social Media:

 

 

 

 

Icarus – A Quick Capsule Review

Icarus – A Quick Capsule Review

Quick Review

Phil’s Quick Capsule Review:
Icarus is a powerful look at corruption at the highest level in international sports that implicates governments, scientists and world leaders in it’s path yet starts as a much simpler intimate story about a man and a bike race.   The narrative, direction and editing are first class and Icarus’ impact is still being felt today in the 2018 Winter Olympics and beyond.  Essential viewing.

Bit: The story breaks

Buy, Stream, Avoid: Stream

If You Liked this Try: Nobody Speak: Trials of the Free Press, Blackfish, Life Itself

IMDB Rating: 

 

Author: Phil Hobden

Phil’s Top 5…  Documentaries About Filmmaking

Phil’s Top 5… Documentaries About Filmmaking

Other Cr*p Top 5

Each week Phil, from Phil’s Quick Capsule Review, takes a look at a different movie or TV related Top Five.  This time out:  My 5 Best Documentaries About Filmmaking

 

Close but no cigar: Best Worst Movie, Side By Side, Overnight

 

5 – Lost In LaMancha
Terry Gilliam has a history of troubled film productions and Lost In LaMancha details what is probably his most traumatic. It’s interesting but at the same time makes you wonder if he’ll ever catch a break as a filmmaker

 

4 – Full Tilt Boogie
Behind the scenes on From Dusk Till Dawn covering the production of this modern classic, its crew and union issues, star problems and with deleted scenes of assistants signing autographs.

 

3 – Life Itself
Not about making a film but about the film industry and one of it’s most important contributors, Roger Ebert.  Just superb.

 

2 – The Hamster Factory
Twelve Monkeys by Terry Gilliam Standards at least, was a pretty easy production.  But that doesn’t mean there isn’t a fascinating story sitting behind it.

 

1 – Hearts Of Darkness: A Filmmaker Apocalypse
The granddaddy of all behind the scenes documentaries, few films will ever face the hurdles that Apocalypse Now did… all detailed here is fascinating details!

 

 

 

Filmsploitation’s 100 Best Films… #100-76

Filmsploitation’s 100 Best Films… #100-76

Uncategorized

Part one of our run down of Filmsploitation’s 100 Best Films as chosen by a select team of hosts, podcasters, fans and writers from All Things Film, Filmsploitation and the Filmsploitation Facebook group.

Check back tomorrow for Part 2!

So here’s numbers 100 – 76…

 

 

Phil’s 5 Best Films of 2014

Phil’s 5 Best Films of 2014

Quick Review Year In Review

So 2014 is almost over and it’s that time a year again where everyone reflects back on their best and worst films of the year. Having already covered off my worst films, next up (logically I guess)… I my pick of the BEST films of 2014.

Film of The Year: Wolf Of Wall Street
In Brief: From early on in 2014 this film stood head and shoulders above the rest for me.  Morally I can see why some people had an issue with it, but creatively this is a director back on form and actor whose never been better and a three hour film that flies by.  Brilliant.

 

2. Life Itself
In Brief:  Documentaries don’t get any better than this.  Heartbreaking, inspiring and beautiful all at once, Life Itself will grab you and not let go.

3. The Babadook
In Brief: The best independent film of the year,  The best horror film in a decade. Welcome to The Babadook then, a game changer in these days of torture porn and jump care horror.

4. Nightcrawler
In Brief:Any other year this would have been film of the year for me.  Probably one of the best performances of 2014, in a film that ends up deriving it’s crown as a modern day Taxi Driver.

5. Guardians Of The Galaxy
In Brief: Marvel does it again.  And Twice in one year with it’s other creative and commercial smash Captain America. Guardians is what a space epic should be.

Bubbling under:
Interstellar, Dallas Buyers Club, Dawn Of The Planet of The Apes, Starred Up, Captain America Winter Solider, The Guest, Cheap Thrills, Horns, Muppets Most Wanted, The Book Of Life

 

Blog: All Things Film – Andrew Mackay’s Best & Worst Films 2014

Blog: All Things Film – Andrew Mackay’s Best & Worst Films 2014

Quick Review

2014 has been truly hit-and-miss. I could well have copied this paragraph from last year with a quick find-and-replace. But just as we were marching into the middle of the decade thinking “Oh Christ, here we go – more Michael Bay, more Ice Cube, more nah nah nah…” along come at least two films that really did make me rethink my stance on the movie industry today (See my #1 and ‘3 on the best list). It’s not been a terrible year for movies. It’s been very good, on the whole – and I sincerely hope 2015 can fill these big boots!

WORST

5: The Came Together

Paul Rudd and Amy Poehler prove that former SNL players continue to suck at satire, as They Came Together aim for all the right targets and continually miss them. It’s akin to watching a small child with learning difficulties throw balls at a coconut shy, and standing back and feigning a smile at how well they had done – despite throwing the ball 180 degrees in the opposite direction and accidentally scoring an own goal. An insufferable, turgid and most unfunny piece of rancid shite.

4: Tammy

Sticking with the learning difficulty angle, Melissa McCarthy turned up as Tammy; an overweight, unpleasant and charmless oaf who manages to drag Susan Sarandon under her tyres for one of the year’s cosmic laugh-free zones. There’s nothing funny about someone who’s clearly one of society’s beat-upon plumpsters having the piss taken out of her for nearly 100 minutes. It’s soul-crushingly hateful stuff, and not in a good way, either.

3: The Angriest Man in Brooklyn

Angriest man? I can see the poor sod who played him spinning in his grave. It’s a well known fact that Robin Williams took on roles simply to pay the rent. I guess one could argue that Williams’ response mid way through the year was perhaps a bit harsh, but if I’d viewed my performance in The Angriest Man in Brooklyn, then I’d empathise to a point. The bleedin’ obvious aside, this movie stinks to high heaven anyway – and it’s nothing to do with Robin Williams (it’s merely a shame) and/or Mila Kunis (again, merely a blip). It’s shittingly bad and, once again, less funnier than Cold in July.

2: Zombeavers

It’s no coincidence that the bottom five of 2014 are mostly all comedies, is it? Comedy is hard to get right. Comedy and horror, even more so. The beavers look like puppets, and the characters have about as much depth as puppets, too. I know, I know – that’s sort of the point. And yes, I am a Troma fan. Zombeavers sits awkwardly in a sort of dole office of being too good to be bad, and too bad to be anything other than second in my top ten worst list for 2014. They couldn’t even get the “hot jock” boyfriends hot-o-meter correct. I suppose there’s no saving grace about Zombeavers; if guys these fugly can get chicks those cute – well, maybe there’s hope for us all.

1: Tusk

Fuck Kevin Smith.

[divider]

BEST

5: Wolf of Wall Street

Originally getting a 7 out of 10 in my review from January, I did make the prediction that Wolf could be a stayer and rank among Scorsese’s best. It’s now nearly one year later, and I think I was right. I was right, also, to award it a seven; it’s not a perfect movie by any stretch; but what it is, though, is a shit-load of fun and as absorbing a story as the characters are impervious to humanity. A thoroughly loathsome bunch of feral, money-hunting wankers that would put The Riot Club to shame. As far as overindulgence and excess goes, we will all use Wolf of Wall Street as the barometer; both for the characters and storyline, and for Scorsese’s “have it all and eat it, too” barbarism.

4: Dallas Buyers Club

For a long, long stretch was sitting at my number one spot in the top ten until, of course, those films in my top three came about. An award-winning performance from Matthew McConaughey and Jared Leto (the latter being performance of the year, probably) and about a story that would help shape our attitude toward the AIDS epidemic. An absolutely wonderful film, rich in detail and disciplined in narrative and length, it is truly one of the best dramas in recent memory.

3: The Babadook

Jennifer Kent writes and directs her way in to what I had long since regarded as a genre that is impossible to win me over; horror. Seriously, after so much watered-down PG-13 ghost/doll/clanking doorway shite, I’d pretty much all but abandoned this pithy, lifeless genre. I suppose it’s no surprise to learn that if anyone was going to buck the trend it’d be an independent Aussie filmmaker. But there you go. Fundamentally, The Babadook is a semi-realistic drama about a woman who grows evermore scared of her weird son. The fact that it has a bad guy and some whacked-out, truly innovative elements in the third act all contribute to one of the best – and most unsettling – surprises of the year. The Babadook never puts a foot wrong, and manages to do so with the minimum of fuss. I love The Babadook.

2: John Wick

Is Keanu Reeves back? YEAH. I’m thinking he’s back. Well stone me if John Wick isn’t the baddest-est ass, action-packed, violent, kill-happy revenge thriller of the year. Perhaps even the decade. It’s the usual sort of stuff, but directed and played with such freneticism that you simply have to drop to your knees and worship at the Wick alter. Even if you’re not a fan of action, you’ll love this movie. I can’t wait to see it again – and it’s unlike me to espouse the awesomeness of a silly action film. So I’m just as shocked as you. Check out the soundtrack, too. It’s terrific.

1: Life Itself

Roger Ebert has played a huge part in my life as both a film critic and film maker. I often step back and think “what would Roger Ebert award my movie, out of four stars?”. Life Itself is the equivalent (for me) of a film maker making a documentary about someone you personally admire and love. In a sense, it feels as if the documentary was made for you. I’ve never cried at a film – ever – in my entire life; that’s still true today, but God damn it if Steve James’ masterful documentary Life Itself did not come close. It’s a film about life as Roger Ebert expertly and humorously clings on to his own; a film about love, as his wife Chaz makes his twilight months comfortable and keeps up a brave face, even past the inevitable – and then, it’s a film about friendship, as we delve in to his hate/love relationship with Gene Siskel, who died fifteen years earlier. Ebert awarded director Steve James’ Hoop Dreams (1994) the accolade of Best Film of the 1990s. He remarked that real-life throws plot points at you that you could never see coming, and that a truly gifted documentarian would seize on any opportunity that came their way. Siskel dying alone and unannounced really affected Ebert (one of the handful of facts I did not know till seeing Life Itself) and seeing Ebert doing precisely the opposite seals the friendship and, by virtue, the love(s) of his life.   In so many ways Life Itself is the best film of the millennium, and a more-than-fitting closing chapter in the life of a man I so admired.

 

Author: Andrew Mackay

Blog: Life Itself – A Quick Capsule Review

Blog: Life Itself – A Quick Capsule Review

Quick Review

Phil’s Quick Capsule Review:
It’s fair to say that I have a healthy love of documentaries in all shapes and forms.  So to find one as impressive, inspirational and well made as Life Itself is a real treat.  To be fair as a critic whilst I had respect for Ebert I wasn’t a devote or even a follower so knew little about the man, his career and his illnesses. It’s fair to say leaving Life Itself I’m now a 100% Ebert fan, a man who was both a genius writer and an inspirational character that took whatever life gave him and turned it into a positive.

In short: This is a must see whether you know the work of Ebert or not.  One of the best films of the year.

Best Bit: Ebert: simply inspirational

Buy, Rent, Stream, Borrow: Buy

If You Liked this Try: The Act Of Killing, Blackfish, Samsara

 

Author: Phil Hobden