Phil’s Top 5… Low Budget Films
In a new semi-regular feature each week Phil takes a lookout a different movie related Top Five… this time out: Low Budget Films.
Yup sub $300k movie making at it’s finest. And bloodiest. It’s no surprise that it’s horror that tends to shine in this budget level, with scares and blood taking the place of cast and effects. Here are my top 5 low budget films.
Close but no cigar: El Mariachi, Cube, Brick, Bad Taste, Paranormal Activity, Halloween
5 – The Evil Dead
Sam Rami followed in The Texas Chainsaw’s shoes , delivering one of the most famous ‘video nasties’ on the 80’s with The Evil Dead, a movie whose characters and legacy still carries on today. See the original uncut version for the full on Evil Dead experience.
4 – Night of The Living Dead
Romero launched a genre with Night of The Living Dead, tacked race politics and scared the bejesus out of people. Night was years ahead of its time and spawned two equally impressive sequels. Today it stands as a key influencer on modern TV and movies.
3 – Clerks
Love him or hate him (and mostly hate with his latest few films), Kevin Smith pulled a blinder with Clerks – a mostly one location comedy with memorable dialogue and even more memorable characters. Made with credit cards, luck and a degree of bullshit Clerks still stands up today as a damn funny, raw movie.
2 – Texas Chainsaw Massacre
Whilst it has dated badly, the original TCM was and still is somewhat of a phenomenon. Banned in the UK for over twenty years, Chainsaw broke new ground in horror filmmaking with it’s raw handheld style, a style that would influence films like Evil Dead and Blair Witch years later.
1 – Blair Witch Project
Like TCM before it, the directors of Blair Witch would never top their debut film, a film which for a long time was the most profitable movie ever made (overtaken latterly by Paranormal Activity). It launched a sub genre (the found footage film) and showed what you could do with no money but a great idea, presented alongside a one of cinemas best marketing campaigns. Like it or hate it, it changed filmmaking.